ARTIST WRITINGS AND STATEMENTS

“Primary Structures: A Declaration of a New Attitude as revealed by an important Current Exhibition.”  Arts Magazine 40 (June 1966): 32-35.

“Art in Process-Structures.”  Arts Magazine 40 (September-October 1966): 38-39.

“Systemic Painting.”  Arts Magazine 41 (November 1966): 57-58.

“Review: Eccentric Abstraction.”  Arts Magazine 41 (November 1966): 57-58.

with Robert Smithson. The Domain of the Great Bear.  Art Voices 5 (Fall 1966): 44-51.

“Seven Translucent Tiers.” Aspen 5+6 (Fall/Winter 1967).

“Serial Art Systems: Solipsism.”  Arts Magazine 41 (Summer 1967): 39-43.

“The Serial Attitude.”  Artforum 6 (December 1967): 28-33.

Alfaville, Godard’s Apocalypse. Arts Magazine 42 (May 1968): 14-17.

“Drawings.”  Statement in Drawings. Munich: Galerie Heiner Friedrich, 1969.

“Art at Risk.”  Studio International 179 (February 1970): 44-45.

“Theory of Boundaries.” Arts Magazine 44 (April 1970): 44.

“Excerpts from Speculation.”  Artforum 8 (May 1970): 70-73.

“Bullshit (Response to Tim Ulrich).” Artforum 9 (October 1970).

“Conditions.”  Bulletin 27, Amsterdam (15 September 1970).

“10 Hypotheses de Travail.”  VH-101 (Autumn 1970): 46-47.

Misunderstandings (A Theory of Photography), exh. cat. New York: Multiples Gallery, 1970.

11 Excerpts (1967-1970). Paris: Edition Sonnabend, 1971.

Mel Bochner/Notes on Theory. Kingston, Rhode Island: University of Rhode Island, April/May 1971.

“Mental Exercise #1 (Counting).” The Art Gallery Magazine 14 (April 1971): 32-33.

Mel Bochner. Milan: Editore Toselli, 1971.

“Réflections sur 1' Axiome de l‚ puisement  par Mel Bochner.”  Artitudes 4, Paris (February 1972): 17.

“Three Statements for Data Magazine.” Data Magazine 2 (February 1972): 62-67.

“Especulaciones.”  In Mel Bochner. Centro de Arte y Communicacion, Buenos Aires (April 1972).

“Parenthetical Reflections on Five Earlier Statements.” Arts Magazine 46 (Summer 1972): 38.

“Mel Bochner: 3 Demonstrations.” The Theory of Sculpture: Counting.  Bari: Galleria Marilena Bonomo (October 1972): 10-27.

“Six Years: The Dematerialization of the Art Object.” Artforum 11 (June 1973): 74-75

“Primer: The Complete Catalog of Twenty-One Demonstrations from A Theory of Sculpture: Counting.” Flash Art Edizioni (1973).

“Ten to 10.” In Some Recent American Art. New York: The International Council of the Museum of Modern Art (1973): 21.

Mel Bochner: (toward) Axiom of Indifference 1971-1973. New York and Paris: Sonnabend Gallery (1974-75).

Catalogue Statement in Prints: Bochner, LeWitt, Mangold, Marden, Martin, Renouf, Rockburne, Ryman. Toronto: Art Gallery of Ontario (December 1975- January 1976).

Letter to the Editor.  Arts Magazine 52 (May 1978): 24

Mel Bochner: oeuvres récentes, exh. cat. Paris: Centre International de Création Artistique (1982).

Mel Bochner, exh. cat. Tokyo: Gallery 360° (1993).

“Mel Bochner: Venticinque Anni: Scritti e interviste 1966-1990.” Carte d Arte: Internazionel Rivista d’ Arte Contemporanea, no. 3 (September 1993). Translated into Italian by Cecilia Casorati, Stefano Chiodi and Giovanni Iovane.

“Impossible Liberties: Contemporary Artists on the Life of Their Work over Time.” Edited by Kimberly Davenport.  Art Journal 54 (Summer 1995): 40-52.

Spéculations: Écrits, 1965-1973. Edited by Christope Cherix and Valérie Mavridorakis. Translated by Thierry Dubois. Geneva: Musée d'Art Moderne et Contemporain, 2003.

“Secrets of the Domes.”  Artforum 45 (September 2006): 341-45.

INTERVIEWS

“Flash Art Interview,” with Lisa Haller. Flash Art (June 1973): 14-15.

“Mel Bochner on Malevich, an Interview,” with John Coplans. Artforum 12 (June 1974): 59-63.

“Art = Idea +/- the Object: Talking with Mel Bochner, 18 April 1972,” with Ellen H. Johnson. In Modern Art and the Object. New York, Haper & Row (1976): 204-215.

“Entretien avec Mel Bochner,” with Claude Gintz, Artistes 5 (June-July 1980): 31-33.

“Interview,” with Charles Stuckey. In Mel Bochner: 1973-1985. Pittsburgh: Carnegie Mellon University (1985): 16-22.

“The Archeology of Doubt: Mel Bochner in conversation with Jacopo Benci,” 891 International Artists Magazine 3 (June 1986):8-13.

“From Idea to Experience: Interview with Fréderic Valabrèque.” Artefactum (June-August 1988): 14-17, 58, 62-63.

“Interview: Mel Bochner talks with Paul Cummings.” Drawing 10 (May/June 1988): 9-13.

“Interview: Abstraction Up Against the Wall,” with Barbara Rose. View: The Photojournal of Art (April 1989): 54-57.

“Out of Context: Mel Bochner, with Melissa Marks.” Tema Celeste 21 (July-September 1989): 61-63.

“Abstract Art: Alive and Well in '91.” Journal of Art 4 (June-August 1991): 28-30.

“Mel Bochner: The Gallery is a Theater,” with James Meyer. Flash Art 27 (Summer 1994): 99-101.

“Mel Bochner Interview,” with Lizbeth Marano. Archives of American Art (May 1994).

“How Can You Defend Making Paintings Now? A Conversation between Mel Bochner and James Meyer.”  In As Painting: Division and Displacement. Columbus, Ohio: Wexner Center for the Arts, Ohio State University (2001): 199-204.

“Language Factory: Mel Bochner talks to Mark Godfrey about words, portraits, Roget;s Thesaurus, color, Jorge Luis Borges, humour, nostalgia and political engagement.”  Frieze 87 (November/December 2004): 102-05.

“Art in Conversation: Mel Bochner with Phong Bui.” Brooklyn Rail (May 2006): 16-17.

CRITICAL WRITINGS ABOUT THE ARTIST

Alberro, Alexander. “Mel Bochner: Thought Made Visible 1966-1973.” Artforum 34, (February 1996): 80-81.

Anderson, Laurie. “Review.” Art News 72 (March 1973): 82.

____. “Line as Language: Six Artists Draw.” Art News 73 (Summer 1974): 113-14.

Anderson, Richard.  The Minimal Tradition.  Aldrich Museum of Contemporary Art, Connecticut, (1979) n.p.

Anonymous. “Mel Bochner & Ludwig Wittgenstein, On Certainty.” Print Collector’s Newsletter 22 (July/August 1991): 98.

____. “Reviews: Mel Bochner, Thought Made Visible, 1966-1973. Yale University Art Gallery, New Haven.” Drawing 17 (May/June 1995): 64-65.

____. “The Garden According to Bochner.” Sculpture 24 (March 2005): 12-13.

Armstrong, Phillip.  “Mel Bochner.”  In As Paining: Division and Displacement. Edited with Laurie Lisbon, Stephan Melville. Cambridge: The MIT Press (2004): 74-79.

Artner, Alan G. “Mel Bochner has a way with words.” Chicago Tribune (12 October 2006): Section 5 p.3.

Ashton, Dore. “New York Commentary.” Studio International 179 (March 1970): 118-19.

Avgikos, Jan. “Review.” Artforum 32 (March 1994): 85.

Battcock, Gregory. “Documentation in Conceptual Art.” Arts Magazine 44 (April 1970): 42-45.

____. “New York.” Art and Artists 7 (May 1972): 50-51.

____, ed. Minimal Art: A Critical Anthology. New York: E.P. Dutton & Co., Inc. (1968).

Bellman, David.  Drawings by Sculptors: Two Decades of Non Objective Art in the Seagram Collection. New York: Joseph E. Seagram and Sons Inc. (1984).

Benthall, Jonathan. “Bochner and Photography: Technology and Art 24.” Studio International 181 (April 1971): 147-48.

Besacier, Hubert. Mel Bochner Measurements: Works from the 1960s/1990s. Dijon: FRAC (2002)

Boice, Bruce. “The Quality Problem.” Artforum 11 (October 1972): 68-70.

____. “Mel Bochner at Hartford Art School.” Artforum 11 (December 1972): 86-87.

____. “The Axiom of Indifference.” Arts Magazine 47 (April 1973): 66-68.

Bois, Yves-Alain, with Rosalind Krauss.  Formless: A User’s Guide. New York: Zone Books (1997).

Borden, Lizzie. “Mel Bochner at Sonnabend.” Artforum 10 (April 1972): 84-85.

____. “Mel Bochner's Drawings.” Artforum 11 (April 1973): 75-76.

Buchloh, Benjamin H.D. “Conceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institution.” October 55 (Winter 1990): 105-43.

Caley, Shaun. “Spotlight: Mel Bochner.” Flash Art 134 (May 1987): 81.

Carrier, David. “Exhibition Reviews: New Haven, Brussels and Boston: Bochner and Plimack Mangold.” The Burlington Magazine 138 (May 1996): 353.

Chandler, John. “The Last Word in Graphic Art.” Art International 12 (November 1968): 25-28.

Channin, Richard. “Mel Bochner at 112 Greene St.” Art News 70 (May 1971): 11.

Cherix, Christophe, with Laurent Jenny, and James Meyer. “Mel Bochner: Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art.” Cabinet des Estampes de Musée d’Art et d’Histoire, Paris (1997).                                    

____, ed. Mel Bochner: Speculations – Ecrits 1965-1973. Geneva: MAMCO (2003).

Collings, Betty. “Mel Bochner's Art as a Study of Mental Process.” Arts Magazine 58 (May 1984): 86-89.

Cork, Richard. “Shadow without Substance.” Evening Standard, London (13 April 1972):8.

Crimp, Douglas. “New York Letter.” Art International 17 (April 1973): 57-59, 102-03.

D’Amore, B. “Usi e abuisi delle matematiche nelle arte visive 2.” D’Ars 19 (July 1978): 22-39.

Danto, Arthur C. “Introduction.” In Ludwig Wittgenstein, On Certainty/Uber Geweissheit. San Francisco: Arion Press (1991).

Davenport, Kimberly. “Impossible Liberties: Contemporary Artists on the Life of Their Work over Time.” Art Journal 54 (Summer 1995): 40-52.

Deak, Edit. “Mel Bochner at Sonnabend.” Art in America 62 (January/February 1974) : 100-02.

de Bruyn, Eric. “Alfaville, or the Utopics of Mel Bochner.” Grey Room 10 (Winter 2003): 76-111.

Dunham, Carroll. “Mel Bochner.” In Mel Bochner, Barry Le Va, Dorothea Rockburne, Richard Tuttle, exh. cat., edited by Ragland Watkins. Cincinnati: Contemporary Arts Center (1975): 4-9.

Field, Richard S., ed. Mel Bochner: Thought Made Visible 1966-1973, exh. cat. New Haven: Yale University Art Gallery (1995).

Fine, Ruth. “Mel Bochner: Drawing [Unbracketed].” In Mel Bochner: Drawing from Four Decades, exh. cat. Wynn Kramarsky (2006): 7-11.

Foumberg, Jason. “Portrait of the Artist: Mel Bochner.” Newcity (December 2006): 21.

Frank, Peter.  “Review of Exhibition at Sonnabend Gallery” Artforum 16 (April 1978): 157.

Gablik, Suzi. Progress in Art. London: Thames and Hudson (1976).

Gilbert-Rolfe, Jeremy. “Line as Language: Six Artists Draw.” Artforum 12 (June 1974): 67-68.

Gintz, Claude, ed. Regards sur l'art americain des années soixante. Paris: Eds. Territoires, (1979).

____, with Juliette Laffon and Angeline Scherf eds. L’Art conceptuel, une perspective, exh. cat. Paris: Musée d’Art Moderne de la Ville de Paris (1989).

____. “De la théorie à l'experience.” Artistes 5 (June-July 1980): 26-30.

____. “Bochner à Senanque: deux moments d'un parcours.” In Mel Bochner: Oeuvres Recentes, exh. cat. Gorde: Renault Recherches Art et Industire, Centre International de Creation Artistique, Abbaye de Senanque (1982): 7-12.

Godfrey, Tony. Conceptual Art (Art & Ideas). Phaidon (1998): 115-116.

Goldin, Amy. “The Body Language of Pictures.” Artforum 16 (March 1978): 54-59.           

Goldstein, Ann. A Minimal Future? Art as Object 1958-1968. LAMoCA and MIT Press (2004).                  

Goldstein, Rorimer, eds. Reconsidering the Object of Art: 1965-1975. Chicago: MIT Press (1995).

Grabner, Michelle. “Mel Bochner, The Art Institute of Chicago.” Frieze 105 (March 2007): 191.

Graham, Dan. “Models and Monuments: The Plague of Architecture.” Arts Magazine 41 (March 1967): 62-63.

Greenspan, S. “Review of Exhibition at Sonnabend Gallery.” Artforum 16 (April 1978): 67-68.

Griffin, Tim. “Secrets of the Domes.” Artforum 45 (September 2006): 360.

Halbreich, Kathy. “Introduction.” In Mel Bochner/Richard Serra, exh. cat. Cambridge: Hayden Gallery and MIT Press (1980): 2-3.

Haldane, J.J. “On Certainty.” The Philosophical Quarterly 42 (April 1992): 262.

Haller, L. “Bochner.” Flash Art 41 (June 1973): 14-15.

Harrison, Charles. “Charles Harrison writes...” Studio International 179 (February 1970): 45.

Heartney, Eleanor. “Mel Bochner at Sonnabend.” Art in America 89 (June 2001): 126.

Hess, Thomas B. “Polished Constructivism.”  New York vol. 9 no. 9 (March 1976): 61-62.

Holmes, Ann. “The Spotlight.” The Houston Chronicle (23 April 1972): 17.

Iles, Chrissie. “Best of 2006.” Artforum 45 (December 2006): 272.

____, et. al. 2004 Whitney Biennial. New York: Whitney Museum of American Art (2004).

Iovane, Ginovanni. “Review.” Artefactum 8 (February - March 1991): 44.

Ippolito, Jon. “Where Has All the Uncertainty Gone?” Flash Art 189 (Summer 1996): 83-86.

Jacobs, Joseph. “The New Photography.” In This Is Not A Photograph: Twenty Years of Large-Scale Photography 1966-1986, exh. cat. Sarasota: The John and Mable Ringling Museum of Art (1987).

Johnson, Ellen H. Modern Art and the Object: A Century of Changing Attitudes. New York: Harper & Row (1976).

Jones, Bill. “Peter Halley, Robert Rauschenberg, Mel Bocher.” Tema Celeste 30 (March - April 1991): 85.

Kalina, Richard. “Measure for Measure.” Art in America 84 (September 1996): 88-93.

Karmel, Pepe. “Old Master of the Utterly New.” Artnews 95, (May 1996): 123-25.

____. “Review: Mel Bochner at Sonnabend.” Art in America 82 (February 1994): 99.

King, Elaine A. “Building a Language.” In Mel Bochner: 1983-1985, exh. cat. Pittsburgh: Carnegie Mellon University Art Gallery (1985): 8-14.

King, Jennifer. “Mel Bochner: Drawing from Four Decades at Wynn Kramarsky.” Art on Paper 10, (July/August 2006): 68.

Kingsley, April. “Reviews and Previews” Art News 71 (March 1972): 8, 12.

____. “New York: Mel Bochner's Sonnabend Gallery Show.” Art International 17 (December 1973): 59.

Koenig, Wendy. “Mel Bochner”. Art Papers 30 (September/October 2006): 53.

Kosuth, Joseph. “15 People Present Their Favorite Book.” Arts Magazine 42 (September/October 1967): 61.

Kramer, Hilton. “Review of 'Information' at The Museum of Modern Art.” The New York Times (12 July 1970): 19.

Krauss, Rosalind E. “Sense and Sensibility: Reflection on Post '60s Sculpture.” Artforum 12 (November 1973): 43-52.

____. Line as Language, exh. cat. Princeton: The Art Museum (1974).

____. Passages in Modern Sculpture. Cambridge: The MIT Press (1977).

Kuroiwa, Kyosuke. “Mel Bochner.” In Mel Bochner Paintings and Sculptures. Japan: Akira Ikeda Gallery (2001): 6-16.

Kwerel, Laura. “A Diary of a Journey: Three Exhibitions Focus on Art across Language, Time.” Chicago Journal (19 October 2006).

Lamm, April. “Mel Bochner: Akira Ikeda Berlin.” ARTnews 101 (November 2002): 285.

Larson, Philip. “Aquatints Again.” Print Collector’s Newsletter 8 (July/August 1977): 61-65.

Lee, David. “Serial Rights.” Art News 66 (December 1967): 42-45.

Leider, Philip. “Review of 'Art in Process IV'.” Artforum 9 (February 1970): 70.

LeWitt, Sol. “Paragraphs on Conceptual Art.” Artforum 5 (Summer 1967): 79-83.

Lippard, Lucy R. and John Chandler. “The Dematerialization of Art.” Art International 12 (February 1968): 31-36.

____. Six Years: The Dematerialization of the Art Object. New York: Praeger Books (1973).

Louie, Reagan “Bochner's Contradictions and Continuities.” Artweek -San Francisco 9 (8 April 1978): 7.

Lubell, Ellen. “Mel Bochner at Sonnabend Downtown.” Arts Magazine 47 (March 1973): 77.

MacAdam, Alfred. “Mel Bochner Sonnabend.” Artnews 100 (January 2001): 151.

MacAdam, Barbara. “Where the Dinosaurs Are the Old Masters.” Artnews 97 (March 1998): 166.

Mayer, Rosemary. “New York: Mel Bochner at Sonnabend Downtown.” Arts Magazine 47 (March 1973): 71.

McDonald, Robert. “Mel Bochner.” Artweek (West Coast) 5 (21 September 1974): 1, 16.

McEvilley, Thomas. “I Think Therefore I Art.” Artforum 23 (Summer 1985): 74-84.

McKinnon, John. “Critic’s Picks: Chicago, Mel Bochner Spertus Museum.” Artforum (15 November 2006).

Martin, Henry. “Milan in Winter: Duchampiana.” Art International 17 (April 1973): 64.

Metzger, Robert.  A Second Talent: Painters and Sculptors who are also Photographers. Aldrich Museum of Contemporary Art (1985).

Meyer, James. “Mel Bochner at SteinGladstone.” Flash Art 161 (November – December 1991): 132.

____. “Bochner's Measurement Series.” In Kontext Kunst, edited by Peter Wiebel. Cologne: DuMont Buchverlag (1994): 129-33.

____. Minimalism: Art and Polemics in the Sixties. Yale University Press (2001): 150, 175-79, 184.

Meyers, Terry R. “Reviews: Chicago Mel Bochner: Language 1966-2006, Art Institute of Chicago.” Modern Painters (February 2007): 94-95.

Meyer, Ursula. Conceptual Art. New York: E.P. Dutton (1972).

Millet, Catherine. “L'art de la din de l'art...10 ans après.” Art Press International (France) 54 (December 1981): 6-9.

Morgan, Robert C. “Eccentric Abstraction and Postminimalism: from biomorphic sensualism to hard-edge concreteness.” Flash Art 144 (January/February 1989): 73-81.

Müller, Grégoire. “Art in Process IV.” Arts Magazine 44 (December 1969 – January 1970): 55-56.

Paoletti, John T. “The Form of Thought.” In From Minimal to Conceptual Art Work from the Dorothy and Herbert Vogel Collection. Washington, DC: National Gallery of Art (1994): 13-53.

Pardee, Hearne. “Review: Mel Bochner at SteinGladstone.” Art News 90 (December 1991): 124-25.

Pascale, Mark. Mel Bochner Language 1966-2006. The Art Institute of Chicago (2007).

Penders, Ann-Francoise. “Photo-Texte-Abyme.” Pratiques 7 (Autumn 1999): 72-88.

Perreault, John. “Union-Made: Report on a Phenomenon.” Arts Magazine 41 (March 1967): 26-31.

 ____. “Art: Para-Visual.” The Village Voice (5 June 1969): 16-18.

Perrone, Jeff. “Mel Bochner: Getting from A to B.” Artforum 16 (January 1978): 24-32.

Pincus-Witten, Robert. “Reviews: New York.” Artforum 8 (September 1970): 75-77.

____. “Review: Mel Bochner at 112 Greene Street Gallery.” Artforum 9 (May 1971): 75-76.

____. “Anglo-american Standard reference Works: Acute Conceptualism.” Artforum 10 (October 1971): 82-85.

____. “Bochner at MOMA: Three Ideas and Seven Procedures.” Artforum 10 (December 1971): 233-35

____. “Mel Bochner: the Constant as Variable.” Artforum 11 (December 1972): 28-34.

____. Postminimalism. New York: Out of London Press (1977).

____. “Strategies Worth Pondering: Bochner, Shapiro, Reise, LeWitt.” Arts Magazine 52 (April 1978): 142-45.

____. “Letter to the Editor: Pincus-Witten Replies to Mel Bochner.” Arts Magazine 52 (May 1978): 24.

Plagens, Peter. “557,087.” Artforum 8 (November 1969): 64-67.

Prinz, Jessica. Art Discourse/Discourse in Art. New Brunswick: Rutgers University Press (1991).

Ratcliff, Carter. “New York Letter.” Art International 16 (January 1972): 40-45, 66-67.

____. “Paper Remade in 1960s Conceptualism.” Art on Paper 5 (March/April 2001): 55-57.

Raynor, Vivien. “Minimalism, and After That.” The New York Times (26 June 1994): 16.

Richard, Paul. “Art From Numbers.” Washington Post (27 October 1976).

Richardson, Brenda. Mel Bochner: Number and Shape, exh. cat. Baltimore: The Baltimore Museum of Art (1976).

Rorimer, Anne. New Art in the 60s and 70s, Redefining Reality. Thames and Hudson (2001): 75, 182-88.

Rose, Bernice. Drawing Now. New York: The Museum of Modern Art (1976): 81-83.

Rothkopf, Scott. Mel Bochner Photographs: 1966-1969. exh.cat. Cambridge: Yale University Press and Harvard University Art Museums (2002).

Rotman, Brian. “Mel Bochner: Visible Thinking.” Trans 1-2, 3-4 (1997): 167-69.

Russell, John. “For 60's Devotees, a Show Fraught with Nostalgia.” The New York Times (27 November 1988): 39.

Schjeldahl, Peter. “In and Out of Step in Soho.” The New York Times (14 October 1973): 32.

Schwabsky, Barry. “Reverse Continuity: the Prints of Mel Bochner.” Print Collector's Newsletter 25 (July/August 1994): 85-88.

____. “Mel Bochner, Gravats. Représentation des premières oeuvres.” Exposé 2 (1995): 134-43.

Schwendenwien, Jude. “Mel Bochner: Thought Made Visible 1966-1973.” Sculpture 15 (July/August 1996): 54-55.

Shapiro, David. “Mr. Processionary at the Conceptacle.” Art News 69 (September 1970): 58-61.

Shirey, David L. “Downtown Scene.” The New York Times (24 March 1971): 49.

Sloane, Patricia. “Scale Models, Drawings.” Arts Magazine 41 (February 1967): 57.

Smith, Roberta. “Art: Mel Bochner Show at Sonnabend Gallery.” The New York Times (20 February 1987): 23.

____. “Art in Review.” The New York Times (7 January 1994): 23.

____. “Art in Review: Mel Bochner.” The New York Times (16 June 2006): 33.

____. “Mel Bochner at Sonnabend.” Artforum 12 (December 1973): 82.

____. “Mel Bochner.” Data Magazine 5/6 (Summer 1972): 92-93.

____. “Reviews” Artforum 13 (Summer 1975): 73-74.

____. “Reviews” Artforum 14 (May 1976): 64.

____. “Review: Mel Bochner at SteinGladstone.” The New York Times (18 October 1991): 28.

____. “Vision of the 60's, From 2 Dealers Who Shaped It.” The New York Times (6 August 1991): 1.

Stephano, Ellie. “Paris.” Art and Artists 8 (August 1973): 46-47.

Sterckx, P. and V. Baudoux. “Concept and Cie.” Clés pur les artes (Brussels) 44 (June 1974): 26-27.

Stitelman, Paul. “Mel Bochner at Sonnabend Downtown.” Arts Magazine 48 (December 1973): 59-60.

Strickland, Eric. Minimalism: Origins. Indianapolis: Indiana University Press (1993).

Szeemann, Harald. When Attitude Becomes Form. Berlin: Kunsthalle (1969).

Tatransky, Valentin. “Mel Bochner.” Arts Magazine 52 (March 1972): 17.

____. “Vito Acconci, Mel Bochner, Barry Le Va.” Arts Magazine 52 (January 1978): 27-28.

Thomsen, Barbara. “Reviews and Previews: Mel Bochner.” Art News 72 (December 1973): 90-93.

Tisdall, Caroline. “Good Form.” Arts Guardian (4 May 1972).

Todoli, Vincente, ed. Circa 1968, exh. cat. Portugal: Museo de Arte Contemporanea de Serralves (1999).

Ulrichs, Timm. “Reply to Bochner.” Artforum 9 (October 1970): 24.

Valabrèque, Frédéric. “Mel Bochner: From Idea to Experience.” Arte Factum 5 (June-August 1988): 14-17.

Van der Marck, Jan. “Mel Bochner: Point to Point.” Artforum 24 (April 1986): 101-105.

____. Mel Bochner: du langage au visuel.” Art Press 105 (July/August 1986): 10-13.

Vanel, Hervé. “Notes sur Mel Bochner.” Pratiques 9 (Autumn 2000): 18-24.

Vinklers, Bitite. “New York Reviews.” Art International 14 (March 1970): 92.

Weiss Jeffrey. “Language in the Vicinity of Art: Artists’ Writings, 1960-1975.” Artforum 42 (Summer 2004): 212-17.

Welish, Marjorie. “Mel Bochner: Werner H. Kramarsky New York April 25 to June 24" Art Monthly 298 (July/August 2006): 32-33.

Westfall, Stephen. “Bochner Unbound.” Art in America 73 (July 1985): 108-113.

Wilmes, Ulrich.  “36 Photographs and 12 Diagrams.” In Das Gedächtnis öffnet seine Tore. Edited by Helmut Friedel and Ulrich Wilmes. Ostfildern-Ruit: Hatje Cantz Verlag (1999): 34-35.

Wilson, William S. “Museum Reviews Mel Bochner: Operational Mishchief.” On Paper 2, (July/August 1998): 44-45.

Wolmer, Denise. “In the Galleries: Mel Bochner at Sonnabend Downtown.” Arts Magazine 46 (April 1972): 67.

Zelevansky, Lynn. Beyond Geometry: Experiments in Form 1940s - 70s. exh. cat. Los Angeles County Museum of Art (2004): 9-33.

Zevi, Adachiara. “Mel Bochner: il numero che sottende l'oggetto.” L'Architettura 38 (September 1992): 647-50.